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New to Teaching Writing? Eleven Things You Should Know

January 18, 2008


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Hi Readers,

Allyson of Learning to Teach Tech-Comm, a freelance writer and graduate student teacher, posted a list of eleven things that took me many semesters to learn by trial and error. For me, the advice is quite useful. What tips for composition teachers would you add to this list?

Eleven Things You Could Start Doing Today for the Benefit of Your Students' Writing

A few days ago, someone forwarded and email called "Eleven Things You Could Start Doing Today for the Benefit of Your Students' Writing" to the WPA listserv. I wanted to comment on it, but this is the first time I've had the chance because of the conference, as well as just keeping up in general. I'm not going to reproduce the e-mail comments under each item, but instead reproduce the items with my own thoughts.

1. Give writing assignments in written form, not just word of mouth

This one really is important. I pretty much figured that out within a week of class. Sometimes, though, telling them in . . .

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This entry posted by lhobbs at 09:40 AM and is filed under Composition.
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Rumors of *Two-Spaces-After-a-Period*'s Death Are Highly Exaggerated

November 05, 2007


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Friends,

I learned to type on an actual manual typewriter in the 1980's folks! The one space thingy just looks too "internety," if I may use that word, on printed hardcopy. Same with the extra space between paragraphs and no paragraph indentions. Should we or shouldn't we make distinctions between the two types of writing?

I've found that . . .


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This entry posted by lhobbs at 08:42 PM and is filed under Composition.
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Using the Articles 'A' or 'An' Before the Words 'Historic' or 'Historical'

November 03, 2007

The rule seems simple enough doesn't it? Except for words such as "heir," "hour," "honor," or "herb" the article "a," (not "an") precedes a word beginning with the letter "h." That's how I was taught, yet the either archaic or exceptional "an" article still crops up here and there, even in more "respectable" venues like NPR, one of the supposed final bastions of clear, crisp, and articulately spoken Standard American English. Is public media's incorporation of the, for example, commonly-heard British and Canadian usage of "an" before "historic" mere pretentiousness on their part or some refusal to use Standard American English "rules" on the air? To many, this bold grammatical choice is unoffensive, but how are we to--as teachers--properly explain this inconsistency to EL learners and even native-speakers in grammar and writing bridge courses? Below is an excerpt from James Dvorkin's reply to a recent letter by Charles Everest about NPR's on-air grammatical faux-pas. (Please note Everest's own reply to this post below). Dvorkin replies . . .

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This entry posted by lhobbs at 12:55 PM and is filed under Etymology.
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The "SUPER" Final Draft - Writing is a Process!

April 02, 2007


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2 April 2007

Students,

Today, in class . . .

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This entry posted by lhobbs at 02:03 PM and is filed under Composition.

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Composition - Lead Ins that Hook Your Audience

October 17, 2006


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Students,

Before you begin to post your homework assignments (see instructions below) it might behoove you to get some advice from writers other than Ballenger. For example, read the excerpt here on lead-ins by Judy Hilliard from her text, "Completing the Essay."
[NOTE: the entire article can be found on the San Jose State University website HERE]

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This entry posted by lhobbs at 09:08 PM and is filed under Composition.
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Research Proposals

September 26, 2006


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Research Writing Students,

Your Research Proposals will be due on September 28th. Please see the previous PowerPoint lectures and class e-mails (both on the P:drive) for the detailed instructions . . .


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This entry posted by lhobbs at 10:39 PM and is filed under Composition.
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Narrowing Things Down & Your First Four Sources

September 14, 2006


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Students,

Enter your information about your most recently narrowed topic and MLA cited sources as indicated by these instructions in the comment box. Later, we'll use this posted information to peer-review and provide feedback for one another. Remember, this is a public space, so do your best and be mindful of your language mechanics. Who knows, maybe someone out there in cyberspace will give you some feedback to your topics as well (it's happened before).

Part 1: REVISE

Sometime this weekend, look at your topic and how it was refined by your classmates. Decide if you like it or not. If not, use the same exercise and narrow it down (according to the rules of Ballenger, page 54) to some way that you DO like. Write it down.

Part 2: RESEARCH

Continue the process of exploratory research. Go to the library or work from home, but sometime before our next meeting, and find . . .

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This entry posted by lhobbs at 01:41 PM and is filed under Composition.
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Research Writing - Asking Questions About Potential Topics

September 07, 2006


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Today, in research writing, we tried an exercise that practiced our abilities to generate ideas about potential research topics by asking questions.

First, the students arranged their desks into a large circle. Each student was assigned one of the following topics. (They were completely random) . . .

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This entry posted by lhobbs at 04:59 PM and is filed under Composition.
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Composition - Bizarre English Metaphors (and Similes)

June 13, 2006

Hi Readers,

Earlier, I did a review on a lesson I did this Spring semester with writing students on similes and metaphors HERE. I thought my students did fairly well.

What I’ve reprinted below (including the intro paragraph) came into my mail today: these are NOT from my students (can also be found HERE--thanks, Femmebot). Note that some of these are really analogies.

I found some of them hilarious though and, as some commenters have pointed out, covertly ingenious is some cases. Anyway, I thought some of you might enjoy seeing examples of--what I assume to be--unintentionally silly / mixed metaphors. My colleague suggested that it would be nice if writing students would at least indulge in this much creativity from time to time!

*Every year, English teachers from across the USA can submit their
collections of actual analogies, similies, and metaphors found in high school
essays. These excerpts are published each year to the amusement of
teachers across the country. Here are last year's winners . . .

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This entry posted by lhobbs at 11:29 AM and is filed under Composition.
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Discussing Truth: Is There a Factual Definition?

April 21, 2006

Hello Everyone,

This month there has been a lot of discussion about the concept of "truth." Do you recall the film Dekalog 8 by Krzystof Kieślowski? It had everything to do with telling "the truth," remember? So did the documentary Strongwoman. Several of you, I might add, expressed that you did not believe Justyna's testimony (which seemed to horrify Maria Z. who, in fact, did!)

In our last exercise we looked at Henry Adams's (1838-1948) admonition to learn as the prime directive. In other words, the ability to learn or the process of learning, above all, is the most important thing of all since it gives a person "enough" to get by in life. If we take this statement for granted, are we then to assume that we should be learning "truthful" things? Would Adams sound nearly as clever if he told us to go out and fill our heads with "untruths"? It seems important, then, if we are to learn let it not be wasted on lies and propaganda (useless data) but on knowledge that we somehow know to be true . . .

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Is Knowing How to Learn Enough? Debating Life's Necessities

April 19, 2006

Der Danse Macabre IV - © 2006 Lee Hobbs
Photograph: 'Der Danzig Danse Macabre IV' © 2006 Lee Hobbs

“They know enough who know how to learn.” ~ Henry Adams (1838-1918)

Adams seems to have it all sorted out. How about you? Can you concur with this bit of pragmatic philosophy or is there more to know than this?

I originally gave my students a choice between . . .

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This entry posted by lhobbs at 12:25 PM and is filed under Composition.
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Rediscovering the Comparison Paper: Intolerance in Two Very Different Films

April 18, 2006

The film Process B-7185 by Bernard Offen and the academy award winning Hollywood production Crash elicited so many responses (see HERE for Process and HERE for Crash) that I felt it deserved another devoted blog entry. This difference about this entry, however, is how similar thematic developments in both (one was a historical auto-biography, the other a work of fiction) diverged and brought understanding to sensitive issues such as racism, intolerance, hate and hate-crimes (as opposed to war-crimes, for example). Some of my students did a wonderful job comparison writing exercises involving subject matter from both films . . .

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This entry posted by lhobbs at 10:10 PM and is filed under Composition.
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Quotations as Writing Prompts that State a Position: Agreeing with Gandhi

April 17, 2006

“You must be the change you wish to see in the world.” ~ Mahatma Gandhi (1869-1948)

No, it's not a recently discovered verse from the Gospel of Judas, it's a 20th century adage. But, insightful nonetheless. It reminds me of another quotation by Maya Angelou which reads, "If you don't like something, change it. If you can't change it, change your attitude. Don't complain." In many ways, this is a philosophy not of victimization but one of personal responsibility. That is, responsibility not only for yourself but for your species, your planet, your world.

What does this have to do with writing and the learning institution? That's excactly what I want you to figure out . . .

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Making Choices: The Road Theme Revisited

April 16, 2006

If you follow current events in pop-culture, you can see choices all around us. Katie Couric has made her choice to leave one successful job--her morning show--to try on another as chief anchor for CBS. In the same regard, Meredith Vieira chose to leave her successful television job--The View--to replace Katie's post on the morning show. Some choices our parents or guardians made for us, like whether we would celebrate Passover (if your family is of one religious tradition) or Palm Sunday (if your family is of another). Other choices are cost dependent and, once you begin to earn your own money, you have the financial freedom to buy, say, a vintage Kenny Rogers LP or a collector's edition Red Hot Chilli Peppers CD. Choices are all around us and they determine our every move. Recently, with the newly released translation of the Gospel of Judas, people have begun to revisit a very old agument that wonders whether the infamous "Judas"--the betraying character of the Christian religious tradition--actually had a choice, perhaps even asked, in doing what he did (the free will theory) or whether or not he was predestined--like a robot--to do what he did (the divine will theory) . . .

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Katrina and Popular Film: New Ways to Read Into the Horrific Aftermath

April 11, 2006

The independent film about Hurricane Katrina, by filmmaker Creighton Hobbs, got such an overwhelming amout of remarks (read them at THIS ENTRY) I came to the conclusion that some of the more lengthy (and thought out) ones deserved a blog entry of their own. What makes this approach different is how some of my students compared not only the film but the event itself to ideas expressed in the film Crash, Process B-7185, and others. . .

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This entry posted by lhobbs at 10:05 AM and is filed under Composition.
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When Students Revolt: Reacting to Anarchy & _Generation '89_

March 22, 2006

Today I screened the first part of a documentary film called Pokołenie '89 by director Maria Zmarz-Koczanowicz. This comprehensive exposé provided a series of concise vignettes about the Independent Student Union [in Polish, "NZS"] participants who, in the late '80s, actively opposed the Communist government in Warszawa, Poland. Says the Visegrad Documentary Library:

The portrait of the first generation of Poles who reached adulthood after 1989, the turning point for the political transformation in Poland. The protagonists are middle-class people from Warsaw.

I will show the conclusion in the following class meeting. Granted, this material is hardcore and radically different from anything I've shown thus far. For example, the production is subtitled. So, for several at least, this is the first opportunity some of the students have had to literally "read" a film as a text. My decision to immerse them . . .

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This entry posted by lhobbs at 07:31 PM and is filed under Film.
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Collisions over Social Issues in the Film "Crash"

March 20, 2006

Dear Convention-Defying Instructors,

When hurtful stereotypes and ignorant prejudices collide, a major accident is bound to ensue. Mao once said, "without destruction there can be no construction." I interpret this to mean that in order to construct (or re-construct), a positive deconstruction is sometimes necessary first . Crash is layered enough to do that and much more. If you have a class of top-level English students that seem open to receiving pop-cultural topics for writing and discussion subject-matter, you might have some success with this piece.

The film itself is a full two hours long and it took two complete class periods to show this film in its entirety to my class. Should you decide to screen this film, your students should be forewarned: It's certainly violent, graphic and has something to offend almost everyone. But, at the same time, some really important social issues are first toyed with and then brought to the surface. The narrative results in an amazing chain-reaction of hatred, prejudice and bigotry. Does hate fuel the uninformed and misguided opinions or do uninformed and misguided opinions inform the hate? In the third class period, I conducted a . . .

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This entry posted by lhobbs at 08:11 PM and is filed under Film.
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Writing Students and the Holocaust: Reviewing "Process B-7815"

March 02, 2006

Scholars,

As several of you might know, I lived as an expatriate for many years overseas, primarily in post-Communist Europe, teaching, doing research and operating new businesses after the Berlin Wall came down in East Germany.

I made many good friends there including Mr. Bernard Offen - a survivor of the Holocaust - who has dedicated much of his life to giving, sharing, educating and promoting peace. I had the opportunity to learn a lot from Bernard and . . .

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This entry posted by lhobbs at 01:10 AM and is filed under Film.
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Defining Our Own Terms: Teaching is a Metaphor, Learning is Like a Simile

February 27, 2006

English Students,

We’ve discussed previously the concepts of metaphor and simile. Both compare different ideas and draw connections, thus offering a new perspective or interpretive definition. But, what’s the difference between them?

Here's some help:

Simile - A figure of speech in which two essentially unlike things are compared, often in a phrase introduced by like or as, as in “Life is like a box of chocolates. You never know what you’re gonna get" - Forrest Gump (or) "My love is like a red, red rose" — Robert Burns
Metaphor – The metaphor is similar to the simile, but doesn't say that one thing is like another thing. A metaphor says one thing IS another thing! For example, “Life is a process of becoming . . ." - Anaïs Nin (or) "No man is an island" —John Donne

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Searching for Process in the Midst of Catastrophe: Case-in-Point - Hurricane Katrina

February 24, 2006

Katrina. A name many will likely never forget, no matter how much they'd like to.

The damage she caused was absolutely devastating, her aftereffects heartbreaking and the embarrassing bureaucratic response to her a national tragedy. These points are not the subject for this post. Instead, I ask you to consider the subject of "process" on the subject of this catastrophe.

On the surface, process is only a word, like procedure, that we use everyday in a rather benign way. In theoretical terms, it is nothing more than a signifier that signifies "an action, or a series of actions or events, progress [or] course" (OED). The process of getting from here to there, from this state of affairs to that. As a verb, we "process" our feelings about things and even process our food. As writers, can we . . .

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Which Process? Understanding the Purpose of Procedure

February 22, 2006

“Life is a process of becoming, a combination of states we have to go through. Where people fail is that they wish to elect a state and remain in it. This is a kind of death.” ~ Anaïs Nin

Comrades,

Lots of people have lots of different opinions on what process is and means. For some, this notion is a philosophical key to life and for others a big wasted of time. Nin's notion seems to contrast another famous persona's concept of life and the game of process. Television's Oprah Winfrey once said . . .

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Organizational Procedures: How Do You Prepare for a Writing Class?

February 20, 2006

"The most difficult thing is the decision to act, the rest is merely tenacity. The fears are paper tigers. You can do anything you decide to do. You can act to change and control your life; and the procedure , the process is its own reward." ~ Amelia Earhart

Prepping for courses and class assignments can be daunting for even the most experienced teacher or student. Besides the matter of preparedness, the other issue is time! How much of it are you willing to contribute so that you'll get everything you want and expect from the content? This juggling act of time spent in preparing and maintaining one's own sanity is one that many of us deal with on a daily basis.

So, what is your organizational procedure for class preparation? Do you have a failsafe M.O. (method of operation) or would you say there is a method to your madness? University websites, such as the St. Louis University of Law, often have . . .

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This entry posted by lhobbs at 10:59 AM and is filed under Composition.
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The Standard Deviants: Sesame Street for College Students?

February 13, 2006

"The Stone Age was marked by man's clever use of crude tools; the information age, to date, has been marked by man's crude use of clever tools." ~ Source Unknown

I've been using the instructional videos from this production company, the Standard Deviants, for some time now. They also have a series on grammar and punctuation in a similar format but it's the one on writing for college that I generally try to incorporate somewhere in my writing courses near the beginning of the semester. The overall success of this series has . . .

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Why are ‘Examples’ important as a Writing Strategy?

February 10, 2006

“Example isn't another way to teach, it is the only way to teach” ~ Albert Einstein

Many learned men and women have had much to say on the subject of examples as a method of teaching. But, do they serve a useful purpose anywhere else?

This is the question I put to my writing students when trying to get them to see the fundamentals of a good argument or position paper. With or without research data, the example is the cornerstone of good reasoning . . .

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This entry posted by lhobbs at 01:38 PM and is filed under Composition.
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Using Strange Depictions as both a Discussion and Writing Prompt

February 07, 2006

 'Der Danzig Danse Macabre I' © 2006 Lee Hobbs
Photograph: 'Der Danzig Danse Macabre I' © 2006 Lee Hobbs

"Cast a cold eye / On life, on death. / Horseman; pass by!" ~ W. B. Yeats Under Ben Bulben

Caption: A grim church ornament gives a grisly grin over onlookers in a Danzig cathedral (2002) . . .


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Utilizing The Power of Photography in Writing-Intensive English Courses

February 01, 2006

Devil's Head Chimney Rock, North Carolina
Photograph: 'Rock Devil's Head' © 2006 Lee Hobbs

"I like being near the top of a mountain. One can't get lost here." ~ Wislawa Szymborska

Caption: A side of the Chimney Rock mountain - which resembles a face - looks gleefully over the valleys of North Carolina . . .

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This entry posted by lhobbs at 11:50 PM and is filed under Photography.
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Suggested Instructional Video for Teaching English Essay Writing

January 30, 2006

For Monday's English composition class, I used this educational video as part of my daily lesson plan:

English Composition: Writing for an Audience. Program 2. "Finding Something To Say." Nar. Peter Berkow. Prod. Peter Berkow and Anita Berkow. Annenberg/CPB, Annenberg Foundation-Corporation for Public Broadcasting. PBS. 30 minutes. 2000.

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Online Teaching Resources For: Learning to Write!

January 29, 2006

Are You Teaching Academic Writing To English Students?

I'm always open for new ideas in this area. Recently, I've come across some really great resources to recommend to students who have online access. The topic for these resources are learning to write effectively and all are in the English language . . .

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This entry posted by lhobbs at 03:32 PM and is filed under Electronic & Online Materials.
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Using Poetry as an In-Class Writing Prompt: Frost Part II

January 27, 2006

Contemplating Robert Frost's "Road Not Taken"

I like to use poetry in my English language writing courses as both writing-prompts, discussion topics and lead-ins to other assignments. In my experience with Western students, it seems that today the majority of them enjoy and have full access to all forms of popular music, much of which - hip-hop for example - is lyric intensive . . .

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This entry posted by lhobbs at 11:25 AM and is filed under Literature.
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Recommended Resource for Teaching English Language Composition

January 23, 2006

For Friday's English composition class, I used the following production as part of the lesson:

English Composition: Writing for an Audience. Program 1. "School Writing / Real World." Nar. Peter Berkow. Prod. Peter Berkow and Anita Berkow. Annenberg/CPB, Annenberg Foundation-Corporation for Public Broadcasting. PBS. 30 minutes. 2000.

I found that . . .

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Poems In The English Writing Classroom: Take Frost, For Example

January 17, 2006

Playing With Robert Frost's "Fire & Ice"


What are your experiences using poetry in the writing classroom? Do you prefer the easier-to-comprehend-type model for poems so that more time can be spent on the actual craft of response-writing, for instance, or do you like the headier examples that will probably take an entire class period of discussion before students "get it" enough to even have an academic reaction?

Recently, I asked the students in my English language class . . .

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Censorship in the English Classroom

January 15, 2006