In addition to writing and compiling articles for this blog and others, I also edit two professional newsletters for ESLemployment. Please click HERE for more information.
Dr. B.Lee Hobbs, a professor of English who has worked in various sectors of education since 1993, invites you to participate in this online space for all Literature/Language/Writing scholars & students willing to meet, discuss, engage, learn & resolve issues in an academic discourse--ongoing since 2005.
Joseph Campbell created a chart that roughly outlines a single structure in which most stories follow. He charted the map of the “hero’s journey,” and it encompasses a series of stages that can be applied to almost any narrative. The “monomyth” follows the progression of the protagonist throughout the three stages of the cycle. Although every story is . . .
Recently, because I teach a Science-fiction literature course, I was asked by the public relations department of Saint Leo University to provide some commentary for Ted Anthony, a noted Associated Press journalist writing a news story on the upcoming Star Trek film and why Star Trek, as a pop-culture phenomenon, seems to resonate on an almost folkloric level with certain elements of American society. I was happy to oblige but I had to admit that it was a solid question and one that would warrant some reflection first. Since its debut, Gene Roddenberry’s famous series from the 1960s has certainly proven influential in many ways. For example, concepts from this speculative fiction about Earth’s distant future have found their way into the English vernacular and in technological innovations.
Even those who have never watched a single episode may be familiar with . . .
Tyson, Lois. Critical Theory Today: A User-Friendly Guide. 2nd ed. New York: Routledge, 2006. ISBN: 0415974100.
[This is your textbook about critical theory as applied to literature].
Rivkin, Julie and Michael Ryan, eds. Literary Theory: An Anthology. 2nd ed. Malden, MA: Wiley-Blackwell, 2004. ISBN: 1405106964.
[This is your collection of primary sources about literary theory as written by the pioneers and theorists who helped develop them. Use these as your primary sources for your papers].
Lynn, Steven. Texts and Contexts: Writing about Literature with Critical Theory. 5th ed. New York: Pearson, 2008. ISBN: 032144907X.
[Recommended but not required--Very easy to read! Please order this from Interlibrary Loan in our Library if the price is too hefty].
Tyson, Lois. Critical Theory Today: A User-Friendly Guide. 2nd ed. New York: Routledge, 2006. ISBN: 0415974100.
[This is your textbook about critical theory as applied to literature].
Rivkin, Julie and Michael Ryan, eds. Literary Theory: An Anthology. 2nd ed. Malden, MA: Wiley-Blackwell, 2004. ISBN: 1405106964.
[This is your collection of primary sources about literary theory as written by the pioneers and theorists who helped develop them. Use these as your primary sources for your papers].
Lynn, Steven. Texts and Contexts: Writing about Literature with Critical Theory. 5th ed. New York: Pearson, 2008. ISBN: 032144907X.
[Recommended but not required--Very easy to read! Please order this from Interlibrary Loan in our Library if the price is too hefty].
Re: the class activity we did (in groups) at our last meeting, please summarize your points about the elements of structure (in about a paragraph), according to Edgar V. Roberts, in the non-fiction text of The Diary of Dawid Sierakowiak below. . .
Tyson, Lois. Critical Theory Today: A User-Friendly Guide. 2nd ed. New York: Routledge, 2006. ISBN: 0415974100.
[This is your textbook about critical theory as applied to literature].
Rivkin, Julie and Michael Ryan, eds. Literary Theory: An Anthology. 2nd ed. Malden, MA: Wiley-Blackwell, 2004. ISBN: 1405106964.
[This is your collection of primary sources about literary theory as written by the pioneers and theorists who helped develop them. Use these as your primary sources for your papers].
Lynn, Steven. Texts and Contexts: Writing about Literature with Critical Theory. 5th ed. New York: Pearson, 2008. ISBN: 032144907X.
[Recommended but not required--Very easy to read! Please order this from Interlibrary Loan in our Library if the price is too hefty].
Tyson, Lois. Critical Theory Today: A User-Friendly Guide. 2nd ed. New York: Routledge, 2006. ISBN: 0415974100.
[This is your textbook about critical theory as applied to literature].
Rivkin, Julie and Michael Ryan, eds. Literary Theory: An Anthology. 2nd ed. Malden, MA: Wiley-Blackwell, 2004. ISBN: 1405106964.
[This is your collection of primary sources about literary theory as written by the pioneers and theorists who helped develop them. Use these as your primary sources for your papers].
Lynn, Steven. Texts and Contexts: Writing about Literature with Critical Theory. 5th ed. New York: Pearson, 2008. ISBN: 032144907X.
[Recommended but not required--Very easy to read! Please order this from Interlibrary Loan in our Library if the price is too hefty].
Tyson, Lois. Critical Theory Today: A User-Friendly Guide. 2nd ed. New York: Routledge, 2006. ISBN: 0415974100.
[This is your textbook about critical theory as applied to literature].
Rivkin, Julie and Michael Ryan, eds. Literary Theory: An Anthology. 2nd ed. Malden, MA: Wiley-Blackwell, 2004. ISBN: 1405106964.
[This is your collection of primary sources about literary theory as written by the pioneers and theorists who helped develop them. Use these as your primary sources for your papers].
Lynn, Steven. Texts and Contexts: Writing about Literature with Critical Theory. 5th ed. New York: Pearson, 2008. ISBN: 032144907X.
[Recommended but not required--Very easy to read! Please order this from Interlibrary Loan in our Library if the price is too hefty].
The death of a loved one is one of the most painful experiences people go through in their life. What makes it the most difficult to cope with is the fact we can no longer speak with them face to face. In Christina Rossetti’s poem, Echo, she explains through her dream that she has lost her lover many years ago and her only way of seeing him is through her dreams. In this poem, the author uses her dreams as the contextual symbolism of communication.
Tyson, Lois. Critical Theory Today: A User-Friendly Guide. 2nd ed. New York: Routledge, 2006. ISBN: 0415974100.
[This is your textbook about critical theory as applied to literature].
Rivkin, Julie and Michael Ryan, eds. Literary Theory: An Anthology. 2nd ed. Malden, MA: Wiley-Blackwell, 2004. ISBN: 1405106964.
[This is your collection of primary sources about literary theory as written by the pioneers and theorists who helped develop them. Use these as your primary sources for your papers].
Lynn, Steven. Texts and Contexts: Writing about Literature with Critical Theory. 5th ed. New York: Pearson, 2008. ISBN: 032144907X.
[Recommended but not required--Very easy to read! Please order this from Interlibrary Loan in our Library if the price is too hefty].
Tyson, Lois. Critical Theory Today: A User-Friendly Guide. 2nd ed. New York: Routledge, 2006. ISBN: 0415974100.
[This is your textbook about critical theory as applied to literature].
Rivkin, Julie and Michael Ryan, eds. Literary Theory: An Anthology. 2nd ed. Malden, MA: Wiley-Blackwell, 2004. ISBN: 1405106964.
[This is your collection of primary sources about literary theory as written by the pioneers and theorists who helped develop them. Use these as your primary sources for your papers].
Lynn, Steven. Texts and Contexts: Writing about Literature with Critical Theory. 5th ed. New York: Pearson, 2008. ISBN: 032144907X.
[Recommended but not required--Very easy to read! Please order this from Interlibrary Loan in our Library if the price is too hefty].
Tyson, Lois. Critical Theory Today: A User-Friendly Guide. 2nd ed. New York: Routledge, 2006. ISBN: 0415974100. [This is your textbook about critical theory as applied to literature].
Rivkin, Julie and Michael Ryan, eds. Literary Theory: An Anthology. 2nd ed. Malden, MA: Wiley-Blackwell, 2004. ISBN: 1405106964.
[This is your collection of primary sources about literary theory as written by the pioneers and theorists who helped develop them. Use these as your primary sources for your papers].
Lynn, Steven. Texts and Contexts: Writing about Literature with Critical Theory. 5th ed. New York: Pearson, 2008. ISBN: 032144907X.
[Recommended but not required--Very easy to read! Please order this from Interlibrary Loan in our Library if the price is too hefty].
ENG 435 Students,
You have two great overviews of this theory in your Lois Tyson (Critical Theory Today: A User Friendly Guide. 2nd ed. New York: Routledge, 2006) and Julie Rivkin texts and the excerpt given to you in class from the Stephen Lynn text. If you want to see a breakdown of this theory as explained by Charles E. Bressler in his textbook Literary Criticism: An Introduction To Theory And Practice, please look at the short PowerPoint outline available by clicking HERE as desgined by Kevin Frey (thanks Kevin for creating this!).
Tyson, Lois. Critical Theory Today: A User-Friendly Guide. 2nd ed. New York: Routledge, 2006. ISBN: 0415974100.
[This is your textbook about critical theory as applied to literature].
Rivkin, Julie and Michael Ryan, eds. Literary Theory: An Anthology. 2nd ed. Malden, MA: Wiley-Blackwell, 2004. ISBN: 1405106964.
[This is your collection of primary sources about literary theory as written by the pioneers and theorists who helped develop them. Use these as your primary sources for your papers].
Lynn, Steven. Texts and Contexts: Writing about Literature with Critical Theory. 5th ed. New York: Pearson, 2008. ISBN: 032144907X.
[Recommended but not required--Very easy to read! Please order this from Interlibrary Loan in our Library if the price is too hefty].
ENG 435 Students,
See advice on improving this assignment at the entry on your last assignment HERE and/or in the e-mail I recently sent you as a mass-message.
Tyson, Lois. Critical Theory Today: A User-Friendly Guide. 2nd ed. New York: Routledge, 2006. ISBN: 0415974100.
[This is your textbook about critical theory as applied to literature].
Rivkin, Julie and Michael Ryan, eds. Literary Theory: An Anthology. 2nd ed. Malden, MA: Wiley-Blackwell, 2004. ISBN: 1405106964.
[This is your collection of primary sources about literary theory as written by the pioneers and theorists who helped develop them. Use these as your primary sources for your papers].
Lynn, Steven. Texts and Contexts: Writing about Literature with Critical Theory. 5th ed. New York: Pearson, 2008. ISBN: 032144907X.
[Recommended but not required--Very easy to read! Please order this from Interlibrary Loan in our Library if the price is too hefty].
Joyce, James A. A Portrait of the Artist as a Young Man: Case Studies in Contemporary Criticism. 1916. Ed. R. B. Kershner. 2nd ed. New York: Bedford, 2005. ISBN: 0312408110
There is nothing to submit here; the comment box for this entry will normally be switched off.
[1] If you are looking for the proper entry to enter assignments about this week's primary texts (e.g. Fitzgerald, Joyce, Fleming, Shepard, etc.) on the book/film of the week, you should click the link appropriate category link in the Scattergories menu to the left of the page. For example, click the *Literature* link to scan all entries tagged "LIterature" or *Film* to see any tagged "Film" and submit your response to the appropriate entry (usually the title of the entry will match the title of the work you are working with for this module). The link can also be found by clicking HERE for Literature and HERE for Film.
[2] If you are looking for the proper entry to enter assignments about this week's secondary texts (e.g. Tyson, Rivkin and Ryan, et al.) on the "theory-of-the-week," you should click the link appropriate category link in the scattergories menu to the left of the page. For example, click "Critical Theory" to see all entries tagged with that topic and submit your response/assignment to the appropriate entry (e.g. "Political Lens: Feminism, or "When the Text > The Audience or the Author: New Criticism," etc.). That link can also be found by clicking HERE for Critical Theory.
At this particular entry (the one you are now reading
At this entry you will find the most recent addendum to the course syllabus (CLICK HERE).
Per your instructions on the first day of class--if you have not . . .
Monday, I will distribute the sign-up sheet for formal reading-response #1. If you are one of the “A” students, or otherwise ambitious, then please read ahead in the Coursepack pages 57-59 to see what this assignment will look like. You might want to go ahead and begin choosing some of the characters you’d like to write about. Remember, I will only allow two students per character, so have some “backups”!
If you can find a character that you’d like to write about that isn’t on the list . . .
When deciding on a name, such as a company for example, there is a thing called "the embarrassment factor" as was explained to me once by a professor. For example, my university needs to change its mascot and, since this is a former coal mining area, once considered the "Indiana Miners." However, since this institution already has a reputation as party school that it is trying desperately to reverse, the homonym "minors" is what comes to the ear first (for some) thus upping the embarrassment factor.
These similar gems were sent to me recently by e-mail. I do NOT know the original source of them at this time (if you know, leave a comment please and I'll give credit where credit is due). They are NOT sites with intentionally vulgar-sounding names, but it seems to come off that way when you read their name as a one-word web addy. If you are easily offended by the English language then don't click continue. Otherwise . . .
This month there has been a lot of discussion about the concept of "truth." Do you recall the film Dekalog 8 by Krzystof Kieślowski? It had everything to do with telling "the truth," remember? So did the documentary Strongwoman. Several of you, I might add, expressed that you did not believe Justyna's testimony (which seemed to horrify Maria Z. who, in fact, did!)
In our last exercise we looked at Henry Adams's (1838-1948) admonition to learn as the prime directive. In other words, the ability to learn or the process of learning, above all, is the most important thing of all since it gives a person "enough" to get by in life. If we take this statement for granted, are we then to assume that we should be learning "truthful" things? Would Adams sound nearly as clever if he told us to go out and fill our heads with "untruths"? It seems important, then, if we are to learn let it not be wasted on lies and propaganda (useless data) but on knowledge that we somehow know to be true . . .
When hurtful stereotypes and ignorant prejudices collide, a major accident is bound to ensue. Mao once said, "without destruction there can be no construction." I interpret this to mean that in order to construct (or re-construct), a positive deconstruction is sometimes necessary first . Crash is layered enough to do that and much more. If you have a class of top-level English students that seem open to receiving pop-cultural topics for writing and discussion subject-matter, you might have some success with this piece.
The film itself is a full two hours long and it took two complete class periods to show this film in its entirety to my class. Should you decide to screen this film, your students should be forewarned: It's certainly violent, graphic and has something to offend almost everyone. But, at the same time, some really important social issues are first toyed with and then brought to the surface. The narrative results in an amazing chain-reaction of hatred, prejudice and bigotry. Does hate fuel the uninformed and misguided opinions or do uninformed and misguided opinions inform the hate? In the third class period, I conducted a . . .