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November 10, 2008

Calls & Responses to _The Epic of Son-Jara_


CAPTION: "African King" by Raymond Gray
Image Source: http://www.prisonerlife.com/prisonart/Gray/African%20King%20-%20Gray.jpg

12 November 2008

As provided by Group One's thorough presentation of the Epic of Son-Jara . . .

. . .

. . . here are the quiz AND group discussion questions, all of which are fair game for the final exam. As part of your class participation grade, enter the answer to your group's discussion question in the comment box below as directed in the class meeting.


Son-Jara Discussion Questions

 

1.      It was mentioned in the initial presentation that good leadership is proclaimed in Son-Jara. Give as many examples as you can from the text that clearly show or imply qualities of a good leader, or leadership characteristic.

2.      Find in the text as many examples as you can that may link the Epic of Son-Jara to fairy tales. Discuss in what way such links may be important.

3.      Define the role and significance of the griot in West African culture. What is a griot? What does the griot do? How is the performance of a griot different than reading the epic?

4.       After reading the Epic of Son-Jara and hearing the initial presentation, what theme or main idea is most enlightening to you? What is one thing that you will remember about the work? Give at least one example from the text that supports your opinion.

5.      Discuss how going into exile and moving from place to place is significant for Son-Jara. Does he get enlightened in any way during the course of his exile? Give examples from the text.

6.      How is African spiritualism expressed in the epic? Give examples from the text that outline or imply cultural traits.

7.      How does Son-Jara fit within Campbell’s monomyth guide? Give examples from the epic and define to what stage of the monomyth they correspond.

8.      A central problem in the epic is the conflict between Son-Jara and his half brother Dankaran Tuman. What episodes or symbols can you find in the text that mimic or imply this conflict?

9.      How is oral tradition important and in the same time problematic in relationship to the Epic of Son-Jara? Support your answer with examples from the text.

10.   As we discussed in the initial presentation, Son-Jara was “the best of both worlds.” What does that mean and what evidence can you provide from the text to support your answer?

 

Reading Check Quiz Questions for The Epic of Son-Jara

 

1.      Where did Son-Jara rule?

2.      Magan Jata Konde's sister becomes a ______, and every night murders one man from the seven quarters in Du to vindicate herself.

a)wild boar  b)wild buffalo  c)lioness  d)snake

 

3.      The wild buffalo can be slain provided that the brothers sacrifice seven portions of goat and offer ________ to an old woman west of Du.

a)gold  b)nuts  c)lambskin  d)rice

 

4.      With what animal is Son-Jara associated?

5.      True/False: Saman Berete is the first wife of Fata Magan the Handsome

6.      The "Prologue in Paradise," which opens the epic, refers to which important biblical figure?

a)Jesus  b)Muhammad  c)Aunt Jemima d)Adam

 

7.      Why did Fata Magan marry the ugly Buffalo Woman?

8.      True/False: Sugulun Kòndè and Son-Jara’s mother, the Buffalo Woman are rivals

9.      The emergence of literacy and education in Mali corresponded to the spread of ________ in West Africa.

a)feminism  b)Buddhism   c)Islam  d)colonialism  

 

10.   Who is Fata Magan the handsome?

11.   Son-Jara is also known as____.  
a)Siddhartha  b)Sundiata  c)Sumerian  d)Senegal

12.   When The-Leader-of-the-People's son is born, his aunt protests at being excluded from the naming ceremony, and as a result ____.

a)her children lose their wealth and inheritance and become common slaves
b)
she is executed for disrespecting the clan leader
c)
she makes peace with her brother, and receives the highest honor in the ceremony
d)
her breasts are removed with a knife


13.   The Epic of Son-Jara is the national epic of the Manding people who were part of the pre-colonial empire of ________ at the time the epic was written.

a)
Great Britain b)Nigeria  c)Mali  d)Cameroon

14.   The "Prologue in Paradise," which opens the epic, refers to which important biblical figure?

a)Jesus  b)Muhammad  c)Aunt Jemima d)Adam

15.   Why was Son-Jara nicknamed the Lion-Born-of-the-Cat upon his birth?

 

16.   To which figure from the Koran, as well as the Jewish and Christian Bibles, is Son-Jara assimilated in some versions of the invocation of the epic?

a)Adam  b)Noah  c)Abraham  d)Abel  e)Joseph f)George W.

 

17.   What is it about Son-Jara that causes his mother so much grief?

a)He refuses to collect a baobab leaf for her couscous sauce.  
b)He doesn't walk for nine years.
c)His sacrificial ram is defeated by his brothers.  
d)His actions alienate her jinn.  
e)He refuses to make his hajj.

 

18.   What animal points to which of the six young maidens is to be taken by the Tarawere brothers?

 

19.   Why does Fata Magan offer the Tarawere brothers a token inherited from his ancestor Bilal and his sister Nakana Tiliba?

a)to obtain Sugulun from them  
b)to thank them for slaying the buffalo  
c)to demonstrate his hospitality  
d)to pacify his wife, who is envious of his sister's beauty
e)
to emphasize his wealth

 

20.   Son-Jara competes with ____ for succession to the throne.

a)
his father  b)his brother  c)first cousins 
d)illegitimate children from his father's other wives

 

21.   What foreign presence is closely associated with the rise of the ancient empire of Mali?

a)the Christian crusades b)the spread of Islam   c)the European slave trade  
d)Greek colonial rule   e)Roman imperial rule

 

22.   Magan Jata Kòndè of Du drags off his sister Du Kamisa and slashes off her breasts to emphasize her bareness. In response, she rips off the lid to her calabash and displays the contents, and then transforms into what creature?

a)a great snake  b)a mosquito  c)a red bull d)a wild buffalo e)a dangerous monkey

 

23.   According to the prologue, the main difference between men and women can be summed up as ____.

a)truth versus pretty words  b)hunting versus gathering 
c)combat versus domestication  d) submission versus dominance

 

24.   What is a griot?

25.   What is it about Son-Jara that causes his mother so much grief?

a)He refuses to collect a baobab leaf for her couscous sauce.  
b)He doesn't walk for nine years.
c)His sacrificial ram is defeated by his brothers.  
d)His actions alienate her jinn.   e)He refuses to make his hajj.

26.   True/False: Son-Jara demonstrated his physical power shortly after his birth

 

27.   How was Sugulun Kòndè, the mother of Son-Jara , also known as in the epic?

28.   In order to stunt Son-Jara's development and prevent him from walking, ____.

a)a toothless dog is sacrificed 
b)a black and white ram are set to battle each other, and the white ram is defeated 
c)a genie is conjured from a nutshell to curse the infant 
d)the infant is fed soup made of the baobab leaf

29.   True/False: According to the story, the Tarawere brothers were to take the maiden between whose legs a black cat will passes several times.

 

30.   True/False: Jeli, bard, and griot describe the same thing.

31.   Magan Jata Kòndè of Du drags off his sister Du Kamisa and slashes off her breasts to emphasize her bareness. In response, she rips off the lid to her calabash and displays the contents, and then transforms into what creature?

32.   Son-Jara competes with ____ for succession to the throne.

a)
his father  b)his brother  c)first cousins 
d)illegitimate children from his father's other wives

33.   True/False: The "Prologue in Paradise," which opens the epic, refers to Muhammad.

-------------------------------------------
*FROM*: 9 November 2008

ENG 225 Students:

As you know, listed on our itinerary is our next common text is The Epic of Son-Jara (see the TOC in Volume C for the page numbers). Although a student group will be presenting on this topic over the next two class meetings, you are still expected to read the text and be prepared for discussion and reading-checks. As usual, you are always expected to enter your typed responses to the discussion questions on the English-Blog--our commonplace online journal for reading responses--and on www.turnitin.com (if specifically directed by me) whether it counts as a quiz score or as a part of your class participation score (again, refer to our syllabus).

Each group will be giving their own quizzes but I reserve the right to give my own (even to the presenters) if I suspect that more incentive is needed to get you to do your homework assignments, i.e. your readings.

The Epic of Son-Jara is very different from anything we have read thus far for this course and some of you may find it more difficult than Shakespeare. With that in mind, please examine the following outline of the introduction and text of the entire epic as provided online by West Texas A&M University's Dr. Doug Werden in his course, "ENGL 2371: Masterpieces of the World" HERE. Below the outline, find a character analysis for each character in the epic and some questions that I would consider to be fair game for the final exam (in addition to whatever discussion questions and quiz questions the group comes up with).

An interesting film of a performance of the epic's first six minutes can be found HERE: http://www.youtube.com/watch?v=oQP4gM5Na54. (YouTube would not let me embed this particular video on the page--sorry.) Here, the epic's title goes by the name of "Sundiata," and alternate rendition of the name "Son-Jara."

Here's a short two-minute video synopsis of Sundiata (an alternate spelling/pronunciation of Son-Jara), the Lion King of Mali as presented by a second-grade teacher to her second-grade class. So, for those of you in college who think this is difficult . . . (NOTE: Crank the volume for this one)

Here's yet another summary of Sundiata reduced to a stick-figure minimalist rendition:

I. Introduction

1. History:

* First king/hero of the Mande people, West Africa (akin to David or Abraham in the Israelite history)
* founded Manding empire around 1235
* An important historical figure: No written records from the period.
* Earliest reference: 15th century account of an Arab historian.

2. Epic: A National narrative

* long narrative poem in elevated style
* characters of high position
* Central heroic figure of national regard
* a collection of stories to create a national hero and national identities.
* Vast setting. (international).
* deeds of valor
* poet is "objective"

3. An epic of the Manding Peoples

* Celebration of person and exploits of Son-Jara
* Factual Recollection of the beginning of the Manding people
* Source of societal values
* Even today, bards still honor Son-Jara for his heroic deeds and for his wisdom in governing.

4. Oral Tradition

* griot (French) : Mande bards storytellers and historians.
* Incorporates three genre
o Narrative framework. Establish tradition of Son-Jara's life.
o Praise poetry
o Songs.
o Call and response

5. Theme

1449-50
1582-8

II. Characters

a) Son-Jara (or Sundiata or Sun-jata): The hero of the epic.
Also called Magan Konate, king or lord of the Konate tribe.

b) Fata Magan the Handsome: father of Son-Jara, settles Kamalen (the center of the future Manding Kingdom created by Son-Jara).

c) Ishmael: Father of the Arabic peoples.

d) Bilal:

* Said to be a companion of Mohammed.
* Said to be Mohammed's second convert.
* Father of the Manding People.
* Son-Jara is a descendant of Bilal.

e) Sugulun Konde (called "the Konde woman" and Sugulun-of-the-Warts): the ugly maid, mother of Son-Jara.

f) Saman Berete ("the Berete woman"): gives birth to Dankaran Tuman just before Sugulun Konde births Son-Jara. However, announces the birth to the father AFTER Son-Jara's birth is announced.

g) Dankaran Tuman: Older than Son-Jara. Cheated out of the family birthright.

III. Summary: The origin and rise to power of the national hero Son-Jara.

Episode 1

* Invocation states the purpose of the poem: Sing the praises of "Adam Ben Adam". For the Mande people, this was Son-Jara.
* Account of creation using Genesis. (Remember, this came from Islamic influences.)
* Origins of Manding Peoples are tied to Genesis.

Episode 2

* Introduction to Fata Magan, Son-Jara's father. A descendant of Bilal.

Episode 3

* Origins of Son-Jara's mother

Episode 4

* Son-Jara's father marries his mother: Fata Magan marries Sugulun Kòndè.
* Son-Jara born with a hairy body. Named "lion thief" or "Lion-Born-of-the-Cat".
* Although not the firstborn, his mother is first to deliver the news to his father. Son-Jara is declared the firstborn and heir.
* Berete (mother of rightful heir) Tries to Get Power for Her Son:
- Son-Jara crawls for his first nine years because his is cursed by holy man of Berete.
- Two rams battle. Black one representing Son-Jara and white one representing Dankaran Tuman. Black one wins. Rams killed to hide the omen.
- Holy man says that a Toothless dog must be sacrificed so "Son-Jara should not rise" (1216).
* Son-Jara's dog rips Danakran Tuman's dog to pieces.
* Sugulun Konde threatens Son-Jara with death

Episode 5

* Son-Jara and his family are exiled.
* Not accepted anywhere.
* Finally, Son-Jara joins the 9 Queens of Darkness
* Son-Jara's half brother (Dankaran Tuman) loses the kingdom.
* Son-Jara's mother dies.

Episode 6

* Son-Jara comes out of exile.
* Son-Jara recaptures his father's kingdom.
* Son-Jara is repulsed three times and founds three cities.
* Son-Jara's sisters learns of the secret sacrifices.

Episode 7

* Son-Jara establishes his rule.
* Son-Jara begins to expand his empire.

SOURCE: http://homedirs.wtamu.edu/~dwerden/ENGL2371/Son-JaraSum&Chara.html

Want a run-down of each character from The Epic of Son-Jara? Have a look at this one provided by Dr. John Rothfork of Northern Arizona University's "English 203: Literature of the NonWestern World" course HERE:

Bilal: An Etheopian slave who lived in Mecca at the time of Mohammad. He became a friend and companion of the Prophet Mohammed & consequently the patriarch of African Muslims. Son-Jara’s father (and therefore Son-Jara as well) is a descendent of Bilal, suggesting both his authority & perhaps a sense of magic or power.

Dankaran Tuman: Son-Jara’s half brother; the son of Fata Magan and Saman Barete. Dankaran Tuman is actually born before Son-Jara (on the same day), but a mix up in announcements causes him to be declared the younger son. He becomes Son-Jara’s chief rival for control of the Manden, and he participates in Son-Jara’s exile.

Dan Mansa Wulanba & Dan Mansa Wulandin: Two brothers from the Manden who, with the help of a magic weapon, kill Du Kamisa, who has transformed herself into a buffalo to terrorize the people of her ungrateful Nephew, Magan Jata Kòndè of Du.

Du Kamisa: The Aunt of Magan Jata Kòndè who transforms herself into a buffalo after her nephew cuts off her breasts and banishes her from his kingdom.

Doka the Cat: Son-Jara’s bard. Sumamuru wants Doka the Cat as his own bard, but Doka protests that he can only serve one master, Son-Jara. So Sumamuru commits a grave insult to Son-Jara by injuring Doka so that he cannot leave.

Fa-Koli: The nephew of Sumamuru who defects to Son-Jara when his uncle, who has a hundred wives already, steals his only wife.

Fata Magan the Handsome: Son Jara’s father and the first King of the Manden.

Jeli: The Manding name for a bard, or storyteller. The French word, griot, is also used to describe the same thing.

Kala Jula Sangoyi: The first jeli, or griot, to tell the story of Son-Jara.

Magan Jata Kòndè: The ruler of the Twelve Towns. He mistreats his aunt, Du Kamisa, who turns into a buffalo. When his realm is rescued by the bravery of the Dan Mansa brothers, he gives them Sugulun Kòndè to take with them to the Manden.

The Manden: The central kingdom of the epic. Land that Son Jara rules and builds into the capital of the Mali Empire.

Mèma: The land where Son-Jara lives in exile from the Manden. In several particulars, Mèma resembles Medina, where the prophet Mohammed lived in exile while he prepard to overtake Mecca.

Nakana Tiliba: The principal Queen of Darkness.

Saman Berete: The first wife of Fata Magan the Handsome; mother of Dankaran Tuman. Saman Berete is responsible for the curse the prevents Son-Jara from walking for nine years and for his subsequent exile to Mèma.

Son-Jara Keita: The Epic Hero, son of Fata Magan the Handsome and Sugulun Kòndè; the builder and first great king of the Mali Empire. Also called Nare Magen Kònate.

Sugulun Kòndè: Son-Jara’s mother. She is brought to the Manden by Dan Mansa Wulanba and Dan Mansa Wulandin after they kill the Buffalo that has been menacing the Twelve Towns.

Sugulun Kulunkan: Son-Jara’s sister. Sugulun Kulunkan spies on Sumamuru by pretending to come to him as one of his wives.

Sumamuru: The Blacksmith King. Sumamuru is an evil sorcerer-king who conquers the Manden from Dankaran Tuman while Son-Jara is in exile in Mèma. Sumamuru, rather than Dankaran Tuman, becomes Son-Jara’s principal enemy in the latter part of the narrative. In order to gain control of the Manden, Son-Jara must raise an army and lead an assault on the Blacksmith King who has usurped the land. Also called Susu Mountain Sumamuru.

The 9 Queens of Darkness: Surogate mothers to Son-Jara. Possessing 9 times the power of one mother, they teach him the magic that allows Son-Jara to master his world. "They have slain the 99 Master-of-Shadow" (1918). I wonder if they look somethng like the beautiful mask below?

SOURCE: http://jan.ucc.nau.edu/~jgr6/203/unit10/jara_characters.html

Here are some decent study questions on The Epic of Son-Jara as provided online by Dr. David Siar of Winston-Salem State University's "English 2301 World Literature I" course HERE. Should the group assigned to present this work to the class NOT show up or NOT give a worthy performance, I may draw from these for an in-class reading-check/quiz. See his other links for useful study-aids.

1) Name at least one genre for which this text can qualify.

2) Identify the following:

Magan Jata Konde of Du

Bemba

The Tarawere Brothers

Nare Magan Konate

Fata Magan the Handsome

Du Kamisa

Fa-Digi Sisoko Saman Berete

Sugulun Konde

Sumamuru

Jinn

Griot

Doka the Cat

Dan Karan Tuman

3) Why does Du Kamisa turn herself into a buffalo?

4) What is the function of the Tarawere brothers in the narrative?

5) What problem arises in the Fata Magan household after the birth of Son Jara?

6) Why does the Berete woman want to be rid of Son Jara?

7) How does Son Jara become crippled? How does he become "uncrippled"?

8) After Son Jara has been exiled, who helps him?

9) Who challenges Son Jara's half-brother for the crown?

10) Which of Son Jara's family members helps him to win the war against Sumamuru? How does she help?

11) Why does Sumamuru's nephew defect to Son Jara's side?

12) According to your editor, what is ideological about this text?

13) Which of the following are true of the people of the Manden?

They value the role of the griot.

They sacrifice animals.

They observe the laws of primogeniture.

They are Muslims.

They are polygamous.

They are a patriarchal culture.

They believe that their ancestral history should be preserved.

They believe in divination.

SOURCE: http://www.davidsiar.org/WorldLit/SonJara.html

W. W. Norton and Co., the publishers of our textbooks, has their own introduction to The Epic of Son-Jara with the points they consider important highlighted in blue, along with sample quizzes at their website HERE: http://www.wwnorton.com/college/english/nawol/s13_overview.htm#text

Also, see Dr. Rebecca A. Wall's study guide for The Epic of Son-Jara from her own "ENGL2301: World Literature I" course from Winston-Salem State University HERE: http://myweb.wssu.edu/wallr/ENG2301/eng2301sonjara.htm

See you in class,

Dr. Hobbs

Posted by lhobbs at November 10, 2008 08:31 PM

 

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Readers' Comments:

3. Find in the text as many examples as you can that may link The Epic of Son-Jara to fairy tales?

There are many places in the text that point out types of fairy tales that portray Son-Jara or the other characters in the epic. “Simbon, Lion-Born-of-Cat” (line 32, page 2416). This line establishes a connection between Son-Jara being a lion and can be seen in the Lion King. This is a classical movie that everyone knows and both tales are similar.

Another example was “The little of lady transformed herself and became a wild buffalo” (line 448-449, page 2421). The idea of the lady transforming into some sort of animal is similar to many fairy tales such as Cinderella, and Sleeping Beauty. The witch in sleeping beauty turns into a dragon and the prince turns into a frog in the other fairy tales.

Overall there seems to be the same theme in this story as well as many fairy tales. There is always someone (such as Cinderella) that starts off with nothing and ends up having everything. In this case Son-Jara was born poor and disabled and grew up to be very powerful and rule an empire. Most fairy tales end with a very happy ending of characters having nothing and in the end having everything. This theme could be described as going from ‘Rags to Riches”.

Therefore, if you look very closely there will always be some sort of fairy tale in all literature stories. It may not be so obvious at first but the deeper you read into the stories the more connections will be made.

Posted by: Nichole T. at November 13, 2008 02:51 PM

Kamille G
3. Define the role and significance of the griot in West African culture. What is a griot? What does the griot do? How is the performance of the griot different than reading the epic?
The roles of the griots are to act as storytellers and historians that retell the history of the West African culture through songs, music and dance. They basically allow the present day people to become knowledgeable of past events and people, like Son-Jara, who were an important part of the history of the African culture. A griot is a French word which stands for Mande bards storytellers and historians. The performance of the griot differs from reading the epic in many ways, in that it involves the listener in the retelling of the story, through the call and response technique it utilizes. This allows the listeners and storytellers to interact with one another, unlike when reading the epic. In addition, the performance of the griot involves the use of music through the use of the instruments such as “balophones” (line 1786, pg.2444), and dance which does not occur when reading the epic.

Kamille G
English 225 Sec.1
13/10/08


Posted by: Kamille G at November 13, 2008 06:45 PM

Shayne Tavares
Eng 225 12:30-1:20
11/12/08


7. How does Son-Jara fit within Campbell’s monomyth guide ? Give examples from the epic and define to what stage of the monomyth they correspond.

Answer:
Son-Jara fits within Campbell’s monomyth guide by going through the stages of him taking the steps to claim his destiny as king. In the 1st stage, prior to Son-Jara’s birth he is called to be king. Refusal of the call would be when Fata Magan’s first wife denies Son- Jara of what fate proclaims. Supernatural aid comes from Sugulun Konde who happens to be Son-Jara’s mother. Crossing the threshold would be the removal of both Sugulun and Son- Jara from the village where he was born. Entering into a new village of unknown customs is considered to be the “Belly of the Whale”.
Within the 2nd stage, road of trials could be the initial introduction of Son-Jara into the new village to prove his worthiness. The young maiden of the village which happens to be the king’s daughter falls in love with Son-Jara. The atonement part of the journey occurs with the death of his mother Sugulun Konde. The ultimate boon is Son-Jara coming from exile to reclaim the throne of his father. In the 3rd stage of the monomyth, Son-Jara returns from many years in exile and now is able to regain throne as king. He is able to establish his rule as well as expand his empire.

Posted by: S.Tavares at November 13, 2008 10:37 PM

Alex Slavin

English 225

Dr. Hobbs

Question Response

4. After reading the Epic of Son-Jara and hearing the initial presentation, what theme or main idea is most enlightening to you? What is one thing that you will remember about the work?

- The theme or main idea that most enlightened me was the rise of Mali and how the rise of Mali was the foundation for the spread of Islam into West Africa. It is said that, "The Republic of Mali. Maninka realm: That's the meaning of Mali" (line 20, p. 2415). Mali was the foundation for what West Africa believes in today. One thing that I will remember is because the establishment of Mali, it created a very powerful empire is Africa and it brought together a variety of different ethnic groups and almost became as one.

Posted by: Alex Slavin at November 13, 2008 11:21 PM

Define the role and significance of the griot in West African culture. What is a griot? What does the griot do? How is the performance of a griot different than reading the epic?

The Griot is the storyteller and the instructer. The griot performance is diffcult from the reading because it is a live performance with singing and dancing which involves the lister.The griot is also more like an historian.

Posted by: John Daniel at November 14, 2008 10:04 AM

Paola S
ENG 225
1.It was mentioned in the initial presentation that good leadership is proclaimed in Son-Jara. Give as many examples as you can from the text that clearly show or imply qualities of a good leader, or leadership characteristic.
A// He was called Biribira which defines him as a strong warrior and as an obstacle to his adversaries. He was also called Kirikisa which demonstrated his leadership to others and that he cared for his people. Spear-of-Access was another name given to him which states that a leader must show physical strength; therefore Son-Jara was viewed as a physically strong leader. Spear-of-Service was another name given to Son-Jara which has to do with him serving others and being a strong adversary.

Posted by: Paola S at November 14, 2008 11:17 AM

Jonathan Till
11-13-08
Eng 225

2.) Find as many examples as you can that may link the Epic of Son-Jara to fairy tales. Discuss in what ways such links may be important.

Early on in the Epic, Son-Jara was called, in line 32 “Lion-born-of-the-cat”. This is seen again in Disney’s classic, the Lion King, which is a modern day version of the fairy tale genre. Another example is when the little old lady transformed into a buffalo, which is like the witch turning herself into a dragon in Sleeping Beauty. Finally, Son-Jara’s rise from weakness to strength mirrors the story of King Arthur, who like Son-Jara, was not born to be king yet rose to greatness.

Posted by: Jonathan T. at November 14, 2008 11:25 AM

Quinten Jones
ENG 225 CA01
November 14, 2008

7. How does Son-Jara fit within Campbell’s monomyth guide? Give examples from the epic and define to what stage of the monomyth they correspond.

The call to adventure what when Son-Jara was in the womb; people were saying it was his destiny to be born to the certain parents and that he would be king. The supernatural aid is from the mom because she was something of a sorceress. The crossing of the first threshold was when he and his mom were exiled. The belly of the whale is Son-Jara and his mother searching for a town to live in with no luck. The road of trials was when he had to undergo certain tasks before he would be allowed in a certain city. The meeting of the goddess was when he meets his new wife. Atonement with the father is actually with the mother when she dies. Apotheosis is when he starts getting over the death of his mother. The ultimate boon is when he becomes king. Rescue from without is when a rival kingdom sends wild dogs to attack and they end up fighting it out a little. The freedom to live is after he is successful in his attack and all that’s left is to rule the kingdom.

Posted by: Quinten J at November 14, 2008 11:51 AM

-----------------

*NOTE* The deadline for this particular assignment has now passed. Any comments listed below are *ONLY* for the reposting of comments that I specifically asked to be revised or are ones from non-student posters. Any 'student' posts below that missed the assignment deadline will not get credit for the assignment.

~Dr. Hobbs

Posted by: Dr. Hobbs at November 16, 2008 09:43 AM

Anna Riss
Engl 225.01
11-24-08

4. Son-Jara:
Explain in a paragraph why the Tarawere brothers were told to reject “half of 12 cities”?

Posted by: Anna R at November 24, 2008 03:19 PM

3. Son-Jara- The epic of Son-Jara is the national epic of the Manding people. These so called “Manding people” inhabit what part of the world?

Posted by: alex.slavin at November 25, 2008 01:43 PM

The Epic of Son- Jara- Explain in a paragraph why Son-Jara was a hero? What did he portray that no other hero of his time did?

Posted by: Nichole T. at November 26, 2008 03:17 AM

If Son-Jara did not have to go through his journey to becoming King and previously bestowed those rights, would the story be comprised the same or could other problems arise to interfere with Son-Jara being King.

Posted by: S.Tavares at November 28, 2008 03:52 PM

How is Son-Jara cursed and why is he exiled? Under what circumstances does he return?

Posted by: Joseph S. at November 29, 2008 12:30 PM

Son Jara
In Episode 6 how is Son Jara repulsed three times and what three cities does Son Jara find?

Posted by: Walter P at November 30, 2008 11:40 PM

Son-Jara
Why do Son-Jara and his family keep having to move from place to place?

Posted by: Paola S at December 1, 2008 12:31 AM

Myron Kirchner
ENG-225
Extra credit exam questions

The Epic of Son Jara
Compare and contrast the Epic of Son Jara with Disney’s the Lion King. Why Son jara is called the Lion King of Mali?

Posted by: Myron Kirchner at December 1, 2008 02:58 AM

Son-Jara is similar to other epics except for a few major differences. What is significant about it?

Posted by: Quinten J at December 1, 2008 08:14 AM

3. San Jara - In the story the epic of San-Jara explain what would happen when two hunters went to fight the buffalo.

Posted by: John Daniel at December 1, 2008 10:55 AM

In the epic, describe the character of Son-Jara. Detail some of his relationships including those between him and Dankaran Tuman as well as Dankaran Tuman's mother, thus explore who is considered to be Son-Jara's true enemy, Dankaran Tuman or Dankaran Tuman's mother? Use quotations to detail your answer.

Posted by: Neal Carter at December 1, 2008 12:22 PM

Epic of Son-Jara:
1.) What do you think is the significance for the Malinese people of the Epic?

Posted by: Jonathan T. at December 1, 2008 12:26 PM

Describe the character of Unferth, who is he, what is his role in the epic? In what manner does he relate to Beowulf, why is he angry with Beowulf and how come he is allowed to relate to Beowulf in that manner? Cite how many times does he appear in Beowulf? Use quotations to detail your answer.

Posted by: Neal Carter at December 1, 2008 12:29 PM

Strahil S

Engl 225.01

12-01-08

3. Discuss the significance of Son-Jara as an epic story and as cultural tradition.

Posted by: Strahil at December 3, 2008 07:50 AM

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